The joys of abstraction
Patricia and I just got back from a couple of weeks of traveling, mostly in England. We got to spend a day with two good friends: the artist Terry Cripps and writer and consultant Susannah Finzi at their gorgeously restored and remodeled old home in a tiny village in the Gloucestershire countryside. After years of working as a commercial illustrator and photographer, Terry is now doing what he truly loves. He’s painting abstract images.
We picked the fresh vegetables the couple grows in abundance, which Terry and Susannah cooked brilliantly, along with the spectacular aged lamb they had helped raise on a neighbor’s farm. We ate, drank and talked. And, after two years of having promised ourselves we’d do it, we finally bought a couple of Terry’s pieces to bring home.
Our conversations about Terry’s paintings led me to an interesting question about design. Why do so many people think that the things we create have to be instantly recognizable?
